March new releases 2025

‘We saw a sign on the freeway. It said, “Once Perilous Now Safe,” something like that, about a bridge or something, and I said — she was looking at Tim — ‘that’s me!’

Trying to avoid the loneliness that’s come in the wake of his mother’s recent passing, Phil has invited a bunch of old friends to stay with him on the coast. Tomorrow, Bella and Tim will arrive with their two kids, one on the brink of puberty; and the next day, Jo and Lucas will come too, with their little one. Then there’s Annie, who will be by herself. Maybe this is a mistake. Maybe it’s just what they all need.

The story of a beach holiday told by four different people, Time Together is a novel about different kinds of love, different kinds of loneliness, and the way spending time together can bring out the best and worst in each other.

A mega bestseller in Sweden — and winner of its two biggest literary awards — Colony is a gripping portrayal of contemporary society and its alternatives.

Burnt-out from a demanding job and a bustling life in the city, Emelie has left town to spend a few days in the country. Once there, in the peaceful, verdant hills, down by the river she encounters a mysterious group of seven people, each with personal stories full of pain, alienation, and the longing to live differently. They are misfits, each in their own way, and all led by the enigmatic and charismatic Sara.

How did they end up there? Are they content with the rigid roles they’ve been assigned? And what happens when an outsider appears and is initially drawn to their alternative lifestyle, but cannot help stirring things up?

A masterful blend of humour, emotion, unforgettable characters, and sharp social commentary, Colony is a magnetic and deeply touching story about love, community, and the unfathomable power we have over others and that others have over us.

How do we manage to transition to a more sustainable world without the collapse of the economy?

Capitalism has brought about many positive things. At the same time, however, it is ruining the climate and the environment, so that humanity’s very existence is now at risk. ‘Green growth’ is supposed to be the saviour, but economics expert and bestselling author Ulrike Herrmann disagrees. In this book, she explains in a clear and razor-sharp manner why we need ‘green shrinkage’ instead.

Greenhouse gases are increasing dramatically and unchecked. This failure is no coincidence, because the climate crisis goes to the heart of capitalism. Prosperity and growth are only possible if technology is used and energy is utilised. Unfortunately, however, green energy from the sun and wind will never be enough to fuel global growth. The industrialised countries must therefore bid farewell to capitalism and strive for a circular economy in which only what can be recycled is consumed.

Herrmann makes a convincing argument that we won’t get anywhere without personal restrictions and government planning. Her example for a solution is the British war economy of the 1940s. This is not a utopian scenario, but a comprehensive example of the restrictions and government-led plans needed now and in the future.

The translation of this book was supported by a grant from the Goethe-Institut.

Should architecture be used for punishment? How might the spaces we inhabit nurture or damage us? How can we begin to start over after the worst has happened?

Criminologist Yvonne Jewkes grapples with these questions every day as the world’s leading expert on rehabilitative prison design; she also faces them in her personal life when her partner of 25 years leaves her in the middle of a nightmare renovation project and then lockdown sees her trapped there.

Used to fighting the punitive prison system to create spaces that encourage reflection, healing, even hope for those incarcerated, she must learn to be similarly compassionate to herself, as she considers what might help someone at the lowest point in their life to rebuild.

There are 11.5 million prisoners worldwide, and most of them will eventually be released back into society. Yvonne asks: ‘Who would you rather have living next door to you? Or sitting on the train next to your daughter? Someone who has been treated with decency in an environment that has helped to heal them and instilled hope for their future? Or someone who has effectively been caged and dehumanised for years?’ Challenging our expectations of what prisons are for, she takes us along their corridors, into cells, communal spaces, visitors’ areas, and staffrooms, to the architects’ studios where they are designed, and even into her own home, to show us the importance of an architecture of hope in the face of despair.