Celebrating Mother’s Day

‘Epic … Mukherjee allows full life for these characters who are often real enough to remind us of ourselves, even as they betray one another … even as they betray themselves. This is a lovely debut.’
—Jericho Brown, Pulitzer Prize–winning author of The Tradition

After living in the US for years, Maneka Roy returns home to India to mourn the loss of her mother and finds herself in a new world. The booming city of Hrishipur where her father now lives is nothing like the part of the country where she grew up, and the more she sees of this new, sparkling city, the more she learns that nothing — and no one — here is as it appears. Ultimately, it will take an unexpected tragic event for Maneka and those around her to finally understand just how fragile life is in this city built on aspirations.

Written from the perspectives of ten different characters, Oindrila Mukherjee’s incisive debut novel explores class divisions, gender roles, and stories of survival within a society that is constantly changing and becoming increasingly Americanised. It’s a story about India today, and people impacted by globalisation everywhere: a tale of ambition, longing, and bitter loss that asks what it really costs to try and build a dream.

Could you marry a man you’ve never met? Three Korean women in 1918 make a life-changing journey to Hawaii, where they will marry, having seen only photographs of their intended husbands.

Different fates await each of these women. Hongju, who dreams of a marriage of ‘natural love’, meets a man who looks twenty years older than his photograph; Songhwa, who wants to escape from her life of ridicule as the granddaughter of a shaman, meets a lazy drunkard. And then there’s Willow, whose 26-year-old groom, Taewan, looks just like his image …

Real life doesn’t always resemble a picture, but there’s no going back. And while things don’t turn out quite as they’d hoped, even for Willow, they do find something that makes their journey worthwhile — each other.

WINNER OF THE 2017 VICTORIAN PREMIER'S LITERARY AWARD FOR FICTION
WINNER OF THE 2016 UNIVERSITY OF QUEENSLAND FICTION BOOK AWARD
SHORTLISTED FOR THE 2017 STELLA PRIZE
ONE OF BOOKPEOPLE’S ‘100 BEST AUSTRALIAN BOOKS OF THE 21ST CENTURY’

‘Whenever I need reminding of the preciousness of ordinary life I return to this stunning novel of forgiveness and family, which gives clear, beautiful voice to the fierce luck of being alive.’
Charlotte Wood

Ester is a family therapist with an appointment book that catalogues the anxieties of the middle class: loneliness, relationships, death. She spends her days helping others find happiness, but her own family relationships are tense and frayed. Estranged from both her sister, April, and her ex-husband, Lawrence, Ester wants to fall in love again. Meanwhile, April is struggling through her own directionless life; Lawrence’s reckless past decisions are catching up with him; and Ester and April's mother, Hilary, is about to make a choice that will profoundly affect them all.

Taking place largely over one rainy day in Sydney, and rendered with evocative and powerful prose, the multi-award-winning Between a Wolf and a Dog is a celebration of the best in all of us — our capacity to live in the face of ordinary sorrows, and to draw strength from the transformative power of art.

PRAISE FOR GEORGIA BLAIN

‘[An] elegant, intelligent and affecting novel from a writer at the height of her powers.’ The Saturday Paper

‘Like all her novels, Between a Wolf and a Dog explores the often unarticulated complexities of the intersection of the personal and the political with exquisite grace and intelligence.’ Australian Book Review

Marie King is fifty-nine, recently divorced, and has lived a rather conventional life on Sydney’s affluent north shore. Now her three children have moved out, the family home is to be sold, and with it will go her beloved garden.

On a drunken whim, Marie gets a tattoo — an act that gives way to an unexpected friendship with her tattoo artist, Rhys. Before long, Rhys has introduced Marie to a side of the city that clashes with her staid north-shore milieu. Her children are mortified by their mother’s transformation, but have their own challenges to deal with: workplace politics; love affairs old and new; and, of course, the real-estate market.

Written with Fiona McGregor’s incisive wit and keen eye, Indelible Ink uses one family as a microcosm for the changes operating in society at large. In its piercing examination of the way we live now, it is truly a novel for our times.

Spring, summer, autumn, and winter: wherever you are, the seasons come and go, bringing changes both welcome and unexpected.

Japanese by birth, but transplanted to Europe in adulthood, Miki Sakamoto has spent a lifetime tending her garden and reflecting on its mysteries. Why do primulas bloom in snow? Do the trees really ‘talk’ to one another? What are the blackbirds saying today? And is there a mindful way to deal with an aphid infestation?

From rising early to walk barefoot on the grass each morning, to afternoons and evenings spent sipping tea in her gazebo or watching fireflies as she recalls her childhood in Japan, in Zen in the Garden Sakamoto shares observations from a life spent in contemplation — and cultivation — of nature. She shows us that you can create Zen in your life, wherever you live and whatever form your outdoor space takes.

Sometimes I think that carrying — other people, the continuity of history, generational identity, the emotional load of the everyday — is the main thing that women do.

In Marina Benjamin’s new set of interlinked essays, she turns her astute eye to the tasks once termed ‘women’s work’. From cooking and cleaning to caring for an ageing relative, A Little Give depicts domestic life anew: as a site of paradox and conflict, but also of solace and profound meaning. Here, productivity sits alongside self-erasure, resentment with tenderness, and the animal self is never far away, perpetually threatening to break through.

Drawing on the work of figures such as Natalia Ginzburg, Paula Rego, and Virginia Woolf, Benjamin writes with fierce candour of the struggle to overwrite the gender conditioning that pulls her back into ‘the mud-world of pre-feminism’ even as she attempts to haul herself out. From her upbringing as the child of immigrants with fixed traditional values, to looking after her mother and seeing her teenager move out of home, she examines her relationships with with family, community, her body, even language itself. Ultimately, she shows that a woman’s true work may lie at the heart of her humanity, in the pursuit both of transformation and of deep acceptance.

The fascinating story of the feisty French archaeologist who led the international effort to save ancient Egyptian temples from the floodwaters of the Aswan Dam.

In the 1960s, the world’s attention was focused on a nail-biting race against time: fifty countries contributed nearly a billion dollars to save a dozen ancient Egyptian temples from drowning in the floodwaters of the gigantic new Aswan High Dam. But the massive press coverage of this unprecedented rescue effort completely overlooked the gutsy French archaeologist who made it all happen. Without the intervention of Christiane Desroches-Noblecourt, the temples would now be at the bottom of a gigantic reservoir. It was a project of unimaginable size and complexity that required the fragile sandstone temples to be dismantled, stone by stone, and rebuilt on higher ground.

Desroches-Noblecourt refused to be cowed by anyone or anything. As a brave member of the French Resistance in World War II, she had survived imprisonment by the Nazis; in her fight to save the temples, she had to face down two of the most daunting leaders of the postwar world, Egyptian president Gamal Abdel Nasser and French president Charles de Gaulle.

After a century and a half of Western plunder of Egypt’s ancient monuments, Desroches-Noblecourt helped preserve a crucial part of its cultural heritage, and, just as importantly, made sure it remained in its homeland.

From the New York Times bestselling author of The Genius of Birds, here is a radical examination of the bird way of being and of recent scientific research that is dramatically shifting our understanding of birds — how they live and how they think.

‘There is the mammal way and there is the bird way.’ This is one scientist’s pithy distinction between mammal brains and bird brains: two ways to make a highly intelligent mind. But the bird way is much more than a unique pattern of brain wiring, and, lately, scientists have taken a new look at bird behaviours. What they are finding is upending the traditional view of how birds conduct their lives, how they communicate, forage, court, breed, and survive. They’re also revealing not only the remarkable intelligence underlying these activities, and disturbing abilities we once considered uniquely our own — deception, manipulation, cheating, kidnapping, and infanticide — but also ingenious communication between species, cooperation, collaboration, altruism, culture, and play.

Drawing on personal observations, the latest science, and her bird-related travel around the world, from the tropical rainforests of eastern Australia and the remote woodlands of northern Japan, to the rolling hills of lower Austria and the islands of Alaska’s Kachemak Bay, Ackerman shows there is clearly no single bird way of being. In every respect — in plumage, form, song, flight, lifestyle, niche, and behaviour — birds vary. It’s what we love about them. As E.O. Wilson once said, when you have seen one bird, you have not seen them all.

From the bestselling author of The Gentle Art of Swedish Death Cleaning, here is a charming and humorous book about embracing life at any age.

In her first book, Margareta Magnusson shared with the world the practical Swedish tradition of döstädning, or ‘death cleaning’ — clearing out unnecessary belongings so others don’t have to do it for you. Now, unburdened by baggage (emotional and actual), she is able to focus on what makes each day worth living, and reveals her discoveries about growing older — some difficult to accept, and many rather wondrous. She reflects on her idyllic childhood on the west coast of Sweden, the fullness of her life with her husband and their five children, and learning how to live alone. Throughout, she offers advice on how to age gracefully, such as: don’t be afraid to wear stripes, don’t resist new technology, and let go of what doesn’t matter.

As with death cleaning, it’s never too early to begin. The Swedish Art of Ageing Well shows us how to prepare for and understand the ageing process, and the joys and sorrows it can bring. While Margareta still recommends downsizing and decluttering (your loved ones will thank you!), her ultimate message is that we should not live in fear of death, but rather focus on appreciating beauty, connecting with our loved ones, and enjoying our time together.

Wise, funny, and practical, The Swedish Art of Ageing Well is a gentle and welcome reminder that, no matter your age, there are always fresh discoveries ahead, and pleasures both new and familiar to be enjoyed every day.